Cantate Domino. By Giuseppe Ottavio Pitoni / arr. Donald Moore SSAA, a cappella Choral Octavo Item: $ Add to Cart. The original work by Giuseppe Pitoni () was a cappella, but Donald Moore has added a Cantate Domino: 3-Part Mixed Choral Octavo, $, View. Buy Cantate Domino (SATB) by Giuseppe Pitoni/ar at Choral Sheet Music. Performable by almost any choir, this is the perfect choice f.

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His use of stile concertato also included solo sections and concertante instrumental parts. John Lateran fromwhere Palestrina had served from toand for the Cappella Giulia at St. Luisi Bologna, Notitia de contrapuntisti e de compositori di musica c ; ed. At the end of his life he was preparing a mass for twelve choirs, left incomplete at his death.

Italian Baroque composers births deaths Italian male classical composers Italian classical composers Italian Roman Catholics People from Rieti 18th-century classical composers. Creative Commons Attribution 3. In addition he held a series of prestigious positions as maestro for Basilica dei Santi ApostoliRome fromat St. It is said that his immense facility allowed him to compose the parts of a voice mass separately, without use of a score.

He became one of the leading musicians in Rome during the late Baroque era, the first half of the 18th century. In this Synthesized performance, I replaced cantat voice samples with woodwinds.

Cantate Domino (Giuseppe Pitoni)

Javascript is required for this feature. Contents 1 Performances 1. Creative Commons Attribution-NonCommercial 3. At Santi Apostoli he sang and studied counterpoint with Francesco Foggiawhere his early compositions were performed.


By age sixteen he was maestro di cappella at Santa Maria Maggiore, Monterotondoa historic church near Rome. From Wikipedia, the free encyclopedia. In later years he moved toward more homophonic dojino with polychoral elements. They may not be public domain elsewhere. Guida armonica … libro primo Rome, c ; ed.

Giuseppe Ottavio Pitoni – Wikipedia

His contributions to liturgical music in Rome were profound as composer, organist, maestro di capellawriter on music theory and history, and as esaminatori dei maestri for the Academy of St. His best known work is the Dixit Dominus a 16 in 4 choirs.

Views Read Edit View history. Si spense a Roma nel He prepared a complete year of music for St.

Giuseppe Ottavio Pitoni

These file s are part of the Werner Icking Music Collection. To modern ears and eyes these compositions may seem dull and even repetitious. In as maestro for the cathedral at Assisi he began intensive study of the works of Palestrinaand in moved to the cathedral at Rieti. Work Title Cantate Domino Alt ernative.

This page was fiuseppe edited on 16 Octoberat More information about this can be found here.

Intabulation in french Lute-tabulature for Sopran and g-Lute. By using this site, you agree to the Terms of Use and Privacy Policy. Cantate Domino Pitoni, Giuseppe Ottavio Genre Categories Secular cantatas ; Cantatas ; For mixed chorus ; Giuweppe featuring mixed chorus ; For unaccompanied chorus ; Latin language ; For voice, lute arr ; For voices with solo instruments ; Scores featuring the voice ; Scores featuring the soprano voice ; Scores featuring the lute ; For mixed chorus, 2 trumpets, 2 trombones, timpani, organ arr ; Scores featuring the trumpet ; Scores featuring the trombone ; Scores featuring the timpani ; Scores featuring the organ ; Camtate chorus with solo instruments.


If performed I would look forward about a small reference to cantahe efforts.

Please obey the copyright laws of your country. In he returned to Rome for a lifelong appointment as maestro di cappella at the Basilica of San Marco. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Taken to Rome as an infant, he began vocal study with Pompeo Natali at the age of five and sang in the choir of San Giovanni dei Fiorentini from age eight.

Hence, the edition is public domain in its country of origin or a government publication. He was extremely prolific, with some masses, Psalm settings and motets among the compositions listed by his pupil and biographer, Girolamo Chiti. Such editions are also public domain in Canada because they fail to meet the minimum ‘threshold of originality’ to qualify for copyright as an ‘adaptation’.