: El Fantasista () by HERNAN RIVERA LETELIER and a great selection of similar New, Used and Collectible Books available. Hernán Rivera Letelier is a Chilean novelist. Until the age of 11 he lived in the Algorta (Chile) ; El Fantasista (The Fantasista). ; Mi Nombre es. In this new novel, Rivera Letelier returns to his imaginary Pampa to bring us a moving win this momentous encounter –could this be the mysterious ” Fantasista”?.

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The new structure, furthermore, underlines the importance of the brothel as a thirdspace, as it is not inherently identified by the company quarters that previously characterized fqntasista within the borders of La Piojo, but is instead a combination of the firstspace composed of the bed and Virgin statue, and the secondspace of the capitalist economy that it metonymizes.

The existence of her brothel is held in question as only workers employed by the company are given quarters. Sign into Goodreads to see if any of your friends have read El Fantasista. He returned to Antofagasta in and began to work fantxsista another company, Mantos Blancos. The thirdspace of hernqn brothel as site of urbanity and neoliberal economics thereby centralizes the position of the prostitute in the creation of an urban epis- temology within the nothingness of the arid desert-text.

Critical Studies of Cities and Regions. In the early 19th century, speculators discovered vast reserves of saltpeter in the Negreiras, Pampa Negra, and Zapiga regions, which contributed to a boom in exports of nitrates to Europe. I dear to say that Rivera-Letelier has achieved popularity thanks to his down-to-earth writing and the depiction of the fe of miners and prostitutes in the north of Chile that is already common in his works, but with the particularity that his words come not out of an aristocrat research of the recent history, but ffantasista a fellow’s experience gained through a coming-of-age in the Norte Grande, surrounded by those he writes about, experiencing first-hand the desolation that only life in the desert can bring upon men and women alike.

By setting up a business away from the power structures of El Gringo and the multinationals, Magalena establishes an alternative economic structure that she fantassita to be the foundation of a new town.

Una historia que muchos quieren olvidar.

Hernán Rivera Letelier

The strike becomes the central axis around which the plot evolves, as El Cristo is increasingly viewed with suspicion as a leftist sympathizer who works against the riivera of the multinationals. Riverw American and Latino Performing Arts.

Remember me on this computer. Like them he roams the landscape without hope or work, lacking a voice and relegated to the realm of those forgotten. The new space centered around the independent brothel and outside the topographic delineations of the mining town fulfills two functions.


Books by Hernán Rivera Letelier

Retrieved from ” https: Staging Politics in Mexico: This detail perhaps explains the critical misreading of Rivera Letelier, fwntasista it is only through a symbolic and cartographic study of the La Piojo and other spaces such as Coya Sur can we begin to letelie the urban secondspace and thirdspace of the salitreras. The internal architecture of the town is pertinent as the company establishes separate zones of commerce, administration, and recreation, akin to urban centers.

The brothel, more importantly, provides the only real physical structure that harkens to what Soja theorizes as thirdspace.

Their inhabitants, including the contadora, model their behavior, speech, and thought around the imported, larger-than-life cowboys, vedettes, and swash-bucklers that infiltrate the desert-space. It is, instead, a metaphorical probe into structure of spatial change, as Rivera Letelier not only portrays but also redefines the space of the salitrera in contemporary Chilean literature. The salitrera, which rivdra first may seem like a pristine yet inhospitable desert-text, is redefined by the narrative inclusion of the railroad, as it reminds the reader that even the desert is in- terlaced with economic cantasista of production and consumption.

El fantasista – Hernán Rivera Letelier – Google Books

Known both as a prolific and critically well-received hetnan, the body of criticism to date on Rivera Letelier is, however, surprisingly scarce. Sign in with Facebook Sign in options.

His narrative function, however, does perpetuate an aura of salvation and sacrifice, as his virtuoso performances with the football are augured to save the poor villagers of Coya Sur from one last humiliating defeat to their privileged counterparts from the North.

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Hernán Rivera Letelier | New Spanish Books UK

The woman that he chooses for this role is Magalena Mercado, the heernan prostitute of the mining town Providencia, also known as La Piojo. Bucknell University Press, Discover new books on Goodreads. He wears the uniform of a popular team and is bowlegged due to a tumorous testicle that prevents him from running or standing straight.

The built-in contradictions to his advice annul him as a political affront to the forces of globalization and neoliberalism, yet place him outside the traditional ethics of the messiah.

Claudio Saavedra ‘s review Dec 16, Refresh and try again. The second half of the binary, however, fares poorly, as he is forgotten and shies away fanfasista the public spot- light once enjoyed. Unlike the rest of the mining town that dee really develops a sense of urbanity in a textual exploration of its secondspace, the brothel explicitly meshes its firstspace structure and related social practices with its ideational or symbolic qualities.

The backdrop of this infernal space is put to use as the reader is invited into the world of fantssista rivalries between mining towns, as if their own identity depended on winning a match with twenty-two men and a beaten leather ball.


Editorial Planeta Chilena, He stayed in Antofagasta, alone, until he was about The diegetic process by which the latter is brought to fruition is based on the dyad established between the trope of the prostitute and the messiah.

Just as the train provides a textual vehicle for the epic journey of the protagonists in Los trenes se van al purgatorio Lillo Cabezas 82the railroad creates a tangible schematic of the economic topography of the Atacama Desert.

With the invention of synthetic fertilizers, foreign demand for nitrates took a mortal hit and many of the min- ing communities became ghost towns. He completed his seventh and eighth years of study at night school, and riveea the Inacap educational institute he earned his license as a secondary education instructor.

On his rides he sells small packets of naturopathic medicine that he champions over western pharmacy, telling his patrons that the mixture of herbs along with a small blessing are more powerful than any pharmaceutical. To survive, he sold newspapers. University Press of Florida, That is, the author strays from the primordial exercise of compare and contrast by imbuing these characters with an economic function, not unlike the superimposition of urbanized, neoliberal topologies onto the microcosmic towns and villages that letlier writer maps out, and which I will develop later.

This latter practice, however, locates Magalena outside the traditional boundary of the mapped trope, akin to the figure of El Cristo. It also bears mentioning that the biblical trope in Rivera Letelier is not always that of the traveling Christ-like preacher as fantasistz in most of his novelsbut is also that of the men who are metaphorically alluded to as saviors.

The Road to Neoliberalism. What the text reveals through the misanthropic dialogues and actions of the preacher is an uneasiness of identification, a need to go outside the topologic and topographic boundaries of the trope and, by extension, of the world of the salitrera. His books are being translated to several languages and it is possible that film versions will be made. Click here to sign up. Help Center Find new research papers in: It further suggests that a tangible and viable economic system exists outside the open-border dictates of globalization, as represented by the Gringo salitrera, built around the simplified factors of local supply and demand.

University of Virginia Press,