1, Op. 5 (Brass Quintet) b at Brass Sheet Music. Loading. Quintet No. 1, Op. 5. Victor Ewald/ed. Donald G. Miller – Ensemble Publications. Buy Quintet No. 1 (Brass Quintet) by Victo at Brass Sheet Music Ewald’s romantic Russian style makes for a great concert centerpiece. Select a. Download Brass Quintet No.1, Op.5 by Victor Ewald for free from

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Founded in by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in qhintet, piano, horn, cello, harmony and composition. Alto Horn in E flat; Horn in F. More important for Victor Ewald were the Friday evening string quartet sessions held in Belaiev’s house, the publisher himself playing the viola, Ewald the cello.

By using this site, you agree to the Terms of Use and Privacy Policy. The Canadian Brass editions do not set out to provide an Urtext, but rather to give performers a consistent and practical set of material for concert use.

In he did write one piece, the eighth variation Andante cantabile of a collective work, Variations sur une theme populaire russe ewlad string quartet, one of the other composers being Scriabin. Retrieved from ” https: For that reason Ewald soon became and was to remain throughout his life one of the most active and versatile members of a remarkable circle btass dilettante musicians.


Its allencompassing repertoire included all the quartets of Haydn, Mozart, and Beethoven, as well as newer works.

EWALD Brass Quintet No. 1 opus 5

Russian composers Male composers births deaths People from Saint Petersburg. From Wikipedia, the free encyclopedia. Ewald’s Brass Quintets No.

They are in no way included as a definitive statement, but rather in the hope that they may be of assistance to musicians discovering these pieces for the first time.

Tenor Horn in B flat; Trombone.

Petersburg, and was also the cellist with the Beliaeff Quartet for sixteen years. The original instrumentation of Ewald’s three brass quintets is: Views Read Edit View history. This was the most influential ensemble in St.

This group, whilst all being amateur in the strict sense of the word, made, with the influence of a shared interest in indigenous folksong, a significant contribution to the development of a distinctive Russian national musical style which, for the majority of the 19th century had been almost entirely submerged by the Germanic tradition in both teaching and practice. Due to the aforementioned taxing nature of the piece, an alternative E flat part is provided for the 1st trumpet in Op.

The sessions started before dinner and always continued until well into the night, never ending before 3 in the morning. Among these were Borodin, Glazunov, Sokolov, and others.

Victor Ewald

An obituary signed by his fellow professors of the I. He also collected and published Russian folk songs.

Of these instruments, it is the alto and tenor horns that are most strikingly different from their modern quintet counterparts. Ewald was a professor of Civil Engineering in St. Petersburg in the late 19th century, introducing qukntet of the standard quartet literature to Russian concertgoers. This page was last edited on 16 Julyat And of course one cannot reject the theory that it was simple pragmatism of utilizing insurments and performers close at hand. The edition therefore follows the instrumentation conventions of the modern brass quintet, in that it is scored for two trumpets in B flatFrench horn in Ftrombone and tuba.


Victor Ewald – Wikipedia

However, the popularity of his quintets has in no way diminished because of this. Several other works followed, a Romance, Opus 2, and Deux morceaux, Opus 3, for cello and pianoand a string quintet, Opus 4 VAT in the EU. His first known work is a string quartet, Opus 1, which was awarded a third prize in a competition of the St.

Ewald duly reworked the piece for string quartet and it was in this form that it was published as his Op. His next published work, the Brass Quintet No.

In the present edition, the score is written in concert pitch, and there are several alternatives in the set of parts, to facilitate performance either on the original instruments, the ewakd of the modem brass quintet, or whatever.