LA GRAMMATICA DELLA MUSICA OTTO KAROLYI PDF

Download La Grammatica Della Musica – Ottó Károlyi. La grammatica della musica | Ottó Károlyi | ISBN: | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon. Otto Karolyi, author of Introducing Music, on LibraryThing. Works by Otto Karolyi. Introducing Music copies, 3 reviews; La grammatica della musica: la .

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It will be assessed as excellent the performance of those students achieving an organic vision of the course contents, penetrating analytically into technical details of the musical text and settling them in an organic frame of the compositional process and creating meaningful connections between this process and the perceptive and representational sphere as well as using a proper specific language. Once acquainted with these topics, students will proceed in reconsidering them in the light of:.

La teoria, le forme e gli strumenti musicalia cura di G. Of course, to sit the examination, students are required to read music fluently, at least in the two main clefs. Those who wish to begin, may be helped by the following ideal path the texts are not part of the exam bibliography. Pestelli, Einaudi, Torino Teaching tools Students who wish to take this exam but, in a degree courses or of any sort, have already taken a similar exam covering topics such as harmony, counterpoint, and so onthey shall contact the teacher.

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Course Timetable from Oct 03, to Apr 03, It will be assessed as insufficient the performance of those students showing untrained representations of the musical text, lacking or non-existent sense of tonal orientation, gaps in the theoretical knowledge of the chords and in the relief of the energetic fluctuation inside their progressions; apparent inexperience in the intonation of even single intervals; faulty knowledge of karolgi stylistic standards of the repertoire under examination and of the arguments of the bibliography.

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Oral examination a Assessment of basic skills in reading a musical text: Written test Completion of a four-parts Chorale in the Bach’s stylewithout the Tenor and Alto voices Bass and Treble givenassigned by the examining board on the exam day.

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The exam consists of a written test and an interview; the two parts will be assessed with one final mark. My e-mail for students My e-mail for staff Close. On the general aspects of Bach’s didactic works and the pieces chosen for the exam, students will autonomously find some brief references. The scores for the exam must be free of any added notation. It will be assessed as discrete the performance of those students showing mostly not grammaticw synthesis and analysis capabilities, a correct but not always appropriate language, as well as a scholastic study of the discipline.

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[PDF] La Grammatica Della Musica – Ottó Károlyi – Free Download PDF

Office hours See the website of Mauro Mastropasqua. Course contents Bach’s Partitas and Suites for solo instrument An introduction to the harmonic style including its historical antecedents of one of the most important genres in Bach’s instrumental music. Completion of a four-parts Chorale in the Bach’s stylewithout the Tenor and Alto voices Bass and Treble givenassigned by the examining board musifa the exam day.

It will be assessed as barely sufficient the performance of those students showing approximate skills in recognizing harmonic structures and relations and their meaning, or limited to a purely mnemonic, mechanical, conventional, notional cognition, or unfamiliarity with the standards of harmonic and contrapuntal analysis. Teaching methods The first half approximately of the course aims to understand, from the very beginning, the harmony and the four-parts writing compatible with Bach’s Chorale style.

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Once acquainted with these topics, students will proceed in reconsidering them in the light of: Assessment methods The exam consists of a written test and an interview; the two parts will be assessed with one final mark.

Students who already know these topics, are recommended to assiduously attend the lessons of the second half of the course, more specifically dedicated to the analysis of the repertoire. The first half approximately of the course aims to understand, from the very beginning, the harmony and the four-parts writing compatible with Bach’s Chorale style.

An introduction to the harmonic style including its historical antecedents of one of the most important genres in Bach’s instrumental music. See the website of Mauro Mastropasqua. Winold, Allen, Bach’s cello suites: Teaching Mode Traditional lectures.

Students who wish to take this exam but, in a degree courses or of any sort, have already taken a similar exam covering topics such as harmony, counterpoint, and so onthey shall contact the teacher. This is tool to learn the rudiments of harmonic writing, voice progressions, harmonic analysis. Very useful for harmonic interpretation of this last part: Students may take the oral examination maximum on 3 exam dates following that of the written test – if passed.

Maximum time allowed for the written test: